10/07/2023

Let us write about girlhood. Or at least allow me write about girlhood. I ask for patience. I ask for space. I ask because some of the things I wish to write can be unbearable to read.

*

It has not gotten easier living as a girl, woman, whatever. Maybe I need to break this down slowly. Do not get me wrong – it is wonderful to be feminine. I love being feminine. I know femininity is no longer something that is tied to girlhood or womanhood. For me it makes me feel like a natural woman (Aretha Franklin, you will always be a Lady Soul). For others it is not, but nonetheless a space that can be comfortable. But when men perceive femininity, it tends to be tied back to heterosexual desire. Not just sexual desire, but the desire to maintain the family structure. The settling down. The having children. The hugs and kisses amid a matrix of sexual difference. It is sexual difference that gives me the heebie jeebies. Sometimes it does not matter how you feel about femininity on your own – that agency feels robbed by how men perceive it emanating from you. Maybe it is less of a problem if one desires men in the first place. It feels like a great issue when one has minute, or almost completely lacking desire for men.

*

On femininity, another parallel thread: female friendships. Girls look at other girls. Femme girls look at other femme girls. Between femme girls, the feeling of liking to look at what is feminine is mutual. This is a pleasant arrangement. What could go wrong with this?

*

About five years ago, I finally found a space where I could present myself in a manner that was comfortable. I could finally incorporate being feminine on a daily basis. That was my official entrance into girlhood, where previously it was burgeoning and fetal (this is not to say it was minor – I have already experienced sexual harassment in earlier years). Others girls and femmes began to compliment me. I always returned the gesture. I always meant everything I returned. I desire to be femme (and even more femme), but others forget that I also tend to desire those that are femme.

*

Bb is a present lover of mine. Bb left girlhood. Bb tells me that girlhood is really like what happens in Mean Girls. That is why they left it. There are social hierarchies built upon popularity, looks, status, class. Bb got so tired of that shit. I am tired of that shit but not tired enough. I am literally just a girl. Guess where I obtained the previous line from.

*

It was in the past year that I was suddenly flooded with archetypes of girls: The It Girl, The Sad Girl, The Depressed Girl, The Mentally Ill Girl, The Cool Girl, The Girlboss, The [insert adjective] [insert adjective] [insert adjective] Goth GF, The Sanrio Girl, The Girlygirl, and so on. It was a multiplicity of girls. Perhaps that is a liberatory thing. It was a proliferation of identities. For those who know me, I never thought of (alternative) identities, stereotypes, archetypes as liberatory. It was like boxing yourself again while society already tries to box you. In mathematics, specifically linear algebra, an identity matrix is a matrix that remains the same even when you multiply it with other matrices. A matrix is bounded by square brackets that look like this: [ ]. Sexual difference is a matrix precisely because Men must be from Mars, Women must be from Venus.

*

A friend called Ym told me today how girlhood cycles back to how men perceive women at some point. Ym and Bb probably have different outlooks on girlhood, but I get the sense that neither wish to partake in it as intensely as I have been submerged into so. I have wondered for months if I should try to desire men. When men see me in the club or the dancefloor they want me to grind their hardening members. And I do. I have not kissed any men since 2018.

*

I asked Bb why people liked to call me an “Angel” as a compliment. I do not see myself as an Angel. I know for a fact that I am a flawed person with a history that is not pleasant. Even as I try my best to be healthier and to learn to be more caring. It was a compliment that felt loaded with ethical baggage. It was something that I have been called by multiple people with lovely intentions. Bb felt that such a term meant very little. It was not a compliment that has much meaningful content. It was one of the many favorite words of girls that sparkled and fluttered like confetti but not much else. I found that hard to believe. It almost felt like people were not being honest to me. I am familiar with the word “Angel” as it was used by an ex-friend who was very friendly in the beginning, but who became frustrated with my person and broke off eventually. It is a word that is tinged with that history of falling out with other girls. It is word used where in their eyes later, I would have fallen from Heaven. I know that was an overly dramatic metaphor and allegory. I know I am nowhere near as beloved as Lucifer. I am human and being human is messy and discomforting. Perhaps even for Sianne Ngai, it is feeling ugly in the most vulgar manner of it.

*

I wish to be a City Pop Girl. City Pop is a genre saturated with funky melancholic songs sung by women. The usual lyrical theme is that the woman singing knows how beautiful she is, but she is so, so romantically alone in an indifferent, cold metropolis. The (fairly niche) Idol Yukika Teramoto is one of such singers. It has been two years and I have not gotten over how pretty she is. I wanted to be pretty like that. In the past year I worked towards being pretty like that. I like how classic the makeup of City Pop singers past and present was:

  • A clean powdered look.
  • Optional blush, and next to no bronzing and highlighting.
  • Brows are neatly trimmed and require almost no drawing.
  • Minimal eyeliner. This is a sophisticated high femme look, but it is not hyperfeminine.
  • Lifted eyelashes with minimal mascara.
  • Next to no eye shadow.
  • Bright, or deep, or pinkish red lipstick.

It also meant I was not really following trends of any sort. That can be an uncomfortable position to be. Part of girlhood is having a finger on the latest trends. Part of that can mean social competition. I just wanted to look like a pretty girl that was comfortable in my own skin. Where I could sit in a Café and feel the sun on my dress and feel peace.

*

If I saw a girl or another femme that is pretty, I would occasionally feel romance creeping up towards me. This does not preclude knowing a person better with time. The issue might be romance itself, however. My personal history is that I have always gone overboard with it in unhealthy ways. Recently I have been learning to love in generality, eschewing the categories of platonic, sexual, romantic, and letting desire expand without additional perceptions. It is starting to feel like a better way to love. But as a girl how expansive can I practically be? Should I still be open to men at least, just to try? How far can my love go…

*

A part of me wishes that if a girl or femme tells me I am pretty or beautiful, it means that they want me. But in practice that does not entail anything until they tell me they do want me. If I tell a girl or femme that they are pretty or beautiful, I always mean it. And I always mean it in a way that has the potential of desire, of falling in love. It feels weird to type that out to the world. I am uneasy that I mean things this way. That I cannot be completely friendly about this. It feels almost like a masculine thing to say. I find it difficult to separate my desire for femmes from pure aesthetic appreciation for femmes. If girlhood tends to construe such compliments as purely social, purely platonic, then any desire on my end gets washed out. Any desire on my end feels dirty and unwanted.

*

Once I tried an Emo look. Seeing that, another friend known as Gb told me that I could try to pull off a TradGoth look. In some ways this feels much better than a compliment. A comment like this opened up possibilities I had not thought of or was afraid to entertain. It was an opening. Perhaps the way to see this is to see it as styles, not archetypes to follow, or trends to follow. You do not have to embody the It Girl or whatever. They are mere styles, like how femininity and masculinity are styles. Embodying an identity or archetype is probably where relating to something can become unhealthy. Can feel like being boxed in. Styles are fun. Styles are not essential. Styles are a manner of experimentation. Styles can bring comfort. I might be getting somewhere with this.

*

These days I spend a minute or two shaping my lips to redness. When I am done, life feels more bearable and worthwhile. I will regard it as a bonus if other girls, femmes, and men understand why I practice painting my lips.

30/06/2023

I haven’t written a blog post in a while. Since 2019, I took to Twitter to microblog. I think the scrutiny and algorithmic dangers that Twitter brings has taken a toll on me. Outsider perceptions of me have taken a massive toll on me. Long after the Golden Age of blogging in the 2000s, I shall try blogging again. I do pay for this domain after all.

How many spaces I have left to be fully authentic and serious – two things that ground me – I don’t know. Writing here is an attempt to rediscover what is personal.

The Lune of 2023 was very different from the Lune of 2018 that started this blog. The five years in between have simultaneously felt like thirty years and a half-forgotten series of short vignettes. They are half-forgotten because of years of accumulated trauma. I have fallen for just three people in those years. I have nearly perished multiple times in those five years. The Lune of 2018 would go on to build vast networks across writing spaces, LGBTQIA+ spaces, and civil society spaces in Singapore, and will proceed to lose more than half those networks by this time of writing.

The Lune of 2018 would never have imagined she would lose a trans sister she loved. She is still there, outside Peaches Club, in her wig that was straight from a 90s on 60s film, celebrating her trans sister’s win at the first ever drag competition in Singapore. She is there smiling and laughing, slightly drunk, making conversation with older drag queens, looking in awe at how gorgeous her sister is. Her sister wore blue that night. It was her signature color. She would book a Grab and return home feeling dizzy, loved.

The Lune of 2019 is the Lune of business. She is there in her room in the University Town, furiously typing, knowing her place. She thinks of protecting and securing the rights of other trans and non-binary students in her university. In the process she cries. In the process she finds inspiration from a younger student, just 17, protesting outside the ExxonMobil headquarters. She divines her future arrest by the police. She starts calling herself an anarchist. She starts calling herself a lesbian. She is so sure of both things. She goes onto Twitter thinking it would be just her, microblogging her life and retweeting her favorite things.

The Lune of 2020 is the forgotten Lune. The start-of-COVID Lune. The Lune that realizes how neither the State nor institution are her friends. They will never be her friends. But who Lune is in 2020, that has been erased by trauma. One thing that is clear: she wakes up one afternoon, and found her own LGBTQIA+ community group in her College infiltrated by Christian conservatives. They have created a moral panic out of a student-run educational seminar on bondage practitioners. She begins to burn out.

The Lune of 2021 is the Lune of struggle. She is still there with her handcuffs. She is there inside the Cantonment Police Complex holding cell, staring at the ceiling, the disproportionately large emptiness of the space. Inside she recites the first part of T.S. Eliot’s “The Waste Land”. The one with Marie sledding down the mountains. The part with reading and going south in winter. She is preparing to recite it in a creative writing class taught by the local poet Boey Kim Cheng. When she does so, someone cries at the performance. She goes on her first ever date that year, after a long summer of depression and burnout. She is still there by the river, on another hot afternoon, yearning. From then on she learns teenagehood once more. Painfully.

The Lune of 2022 is a shell. She is still there in her room, where someone she trusts is about to betray her. She dissociates and dissociates. The Lune of migraines. The Lune of heightened anxieties. The Lune that broke. The Lune that has deep gashes. The Lune that is poorly. She is there standing at Archway Station trying to connect the new and the newer. She keeps failing to do so. She lives in another’s fantasy where she falls onto the tracks and dies due to her weakness. She tries to live with dignity. She stops calling herself a lesbian.

The Lune of 2023. There’s nothing much to say. The Lune of botched girlhood. The Lune of the long road. It is not clear if that road leads to ruination. I have stopped smiling. I’ve forgotten how to smile without wincing. I remember how I smiled in 2018. In 2021. That smile, and its authenticity will not come back for years to come. Joy became something increasingly difficult to grasp as the years go. Nina Simone sings in “I Want A Little Sugar In My Bowl” (1967):

I want a little sugar in my bowl
I want a little sweetness down in my soul
I could stand some lovin’, oh so bad
Feel so funny, I feel so sad

There is a long road.

Miss (12/03/2020)

for Neil

Sorry, we cannot meet:
there are two lines that cannot intersect
like us, and I dodged the bullet, and the
collapse of our quantum wave functions.

Thanks Schrödinger – there are people
I never met, cannot meet, will be unfazed
to see in other timelines.
How I did break my ankle,
or your date, or what we could
have not ever destroyed.

2003

i recall a lot where there can be
no return – everyone’s an American
Idiot; where i am just young, bare in
accepting boyhood. i cling onto Mom
for the remainder of that life, fingers
tight, gripping with the lack of futures.

on page 5: my hands in my Father’s
back pocket, the gravity of a Nokia
and the engorged snake, inching.

am here in another hotter summer.
memory-like liquid crystals. I…

+1. is the roar of a television shutting down.
i recall a lot, wanting to see Green Day
live, and so did i, a mushroomed head.
i went to the barber’s exiting with a bowl tarnished by water.

i went to the barber with vertigo;
i never fell from my Mother’s bosom.
the nokia rings. i stop touching my Dad.

water is short like the snake like the being i stopped

Bad Laundry Day

Shadows of man all over –
the floors, in the closet
I left open to exorcize him,
yet he’s out there, in your love.
But he’s no ghost, not lost
as this transparent stain
on my clothes. I can’t wash so
I do my hair, I think I’m pretty
enough to turn off the creeping
spirit, but no – he’s taken over.
Within your eyes, he came
divine, like an idol, or a bust –
all roads lead to his offerings.
I wash my skirts again, having
lost, in every manner he is gone.
Where he homes I cannot haunt,
and my girly hands fade my touch.

Pre-Construction #1

(for C.)

Sister – they built you in a fist
bundling pain, hometown, sneers, et etcetera,
before you woke in the empty rooms of body.
Grappling is what the fist does best: a state.
And the best that history does is break
into sticks. Here, is a stick for your hometown, halved.
There, is a recombination pattern in those stories:
deep within your hair ends the axioms
of loss, losing definition. Grasp
the space adjacent to your lulling body,
connecting the logic of past and future
which must slip, and grow away from your unclasped fingers.

Parallel Truths (20/04/2019)

"My brother and my sister don't speak to me / but I don't blame them"

- James Blake, "I Never Learnt To Share" (2011)

Alternatives (Schrödinger, 1952)
are another way of saying loss:
how Little Sis cried when Mom
reconsidered her own abortion;
Big Sis forgets to miscarry Mom;
a stranger owns my blog domain.
The wrong timeline a synonym to
this poem, a symptom of anomaly.

Distancing

Day 1: Throw all these words out of a window.
Day 4: The Sky remains blue, and not to be hugged.
Day 9: Pouring heart out, into sink. Peeling redness.
Day 17: Began counting despite lack of fingers.
Day 25: Began counting all hugs that were missed.
Day 31: Thinking of us Lesbians; and everyone erased.
Day 59: We failed in realizing how nothing comes to pass.
Day 100: Zeroes gaping, curved and sharp, fitting.
Day 219: What if there was no alternative? No vaccine for touch?
Day 370: Began projecting futures off the tips of raised hairs.
Day 541: I’ve tasted wet lips once, long before my lips had hangnails.
Day 712: Numbers, Skies, Zeroes, Hair on my lips and touchy, touching.
Day 713: Nights becomes taut and I didn’t even get to touch them.

Day *11: There is no longer a pandemic that failed to touch everyone.

Day 2*6*: I lost you in writing: you too, were out of the window, out of touch.

Anxiety #1

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