Suiteroom – Take 3

Microsoft Windows [Version 10.0.17134.829]
(c) 2018 Microsoft Corporation. All rights reserved.

C:\Users\Lune>darken puddle
‘darken puddle’ is not recognized as an internal or external command,
operable program or batch file.

C:\Users\Lune>add tears
‘add tears’ is not recognized as an internal or external command,
operable program or batch file.

C:\Users\Lune>dose check
‘dose check’ is not recognized as an internal or external command,
operable program or batch file.

C:\Users\Lune>hot tea
‘hot tea’ is not recognized as an internal or external command,
operable program or batch file.

C:\Users\Lune>stroll room
‘stroll room’ is not recognized as an internal or external command,
operable program or batch file.

C:\Users\Lune>d:

D:>cd Google Drive\Poetry

D:\Google Drive\Poetry>type Suiteroom_3.txt

12/06/2019

This is what Hauntology does: the endless consumption of remakes and reboots even after your biological death. In ‘BR: 2049’, we see holographic renditions of Elvis Presley – who’s to say in 30 years you won’t be presented the option to consume commercial facades of David Bowie, Mariya Takeuchi, or Keanu Reeves. Every generation had, has, and will have an ‘Aladdin’, a ‘Frozen’, a ‘Lion King’, in exploitative tradition. The next generation will internalize the same media as personality, have collective memories of a magical past, where all there was were similar conditions of wage-labor and replicative production. In this, the nostalgia economy runs efficient, haunting each generation for their productive energies; a ghostly Soma that distracts from the rise of collective class consciousness, alike how a B-grade Horror flick uses jumpscares to evade a shell of a plot.

An Empty Barstool is Love

(after Pooja Nansi)

Dreaming on a Barstool: on an infinity 
of regression of dreaming barstools; we
in a dream bar / you crafting cocktails for;
/meinatelegramcommand; @yourusername;
we watching Europe go by as art noveau;
two blue ticks consent to a means to an end;
4.00 / morning / bak chor mee / eyelids/lips;
poem for you soaked in vodka & tomorrow;
you opening whiskey an observer effect;
sizes A4 on the rocks, A3 shaken, A2 stirred;
one night, we went to a bar to drink water;
one day, we discovered alcohol to be water;
I woke up in a universe without dreams;
we watched the bartender set twin suns;
being-in-itself & being-for-itself, for myself. 

No End to Start

(after Marylyn Tan’s ‘re: origin story / ARCHETYPAL EVIL’)

Being immortal is being
sated about being salted
in cycles – day and night
the pry and shut of eyes.
Once, Ah Kong was young
and fleshed out, peachy
with beginnings. A fool,
not knowing that fruiting
is the end, or figurative –
how time is tried, tested
as a painter being tired
of the biggest canvas.
Not the cosmos, but in
housing a weary start.

*Ah Kong: Romanization of the Chinese noun “阿公”, meaning Grandfather.

Rut

Tonight, I deconstructed love
into a thousand paper cranes.
I don’t even like folding cranes,
like the long wait. Like teleology,
my hands were always destroying
paper; fold my neck to cognize down.
Crane, just to be blinded by flight.
My hands were always sweating,
slipping thoughts of you into vacuum;
all directions evaporate in departure,
and these hands cannot give warmth.