03/11/2024

looking down, what do i tell the child in front of me?

the child that looks at me, fears my height, sees the gulf in time that separates us?

that i am just like you, in every way. in being enchanted by dust specks whirling in a small storm, illuminated by the morning rays through a gap in space. or the spectral quality of glittering dew drops in the emerging sun, after a bout of long rain. or the manner in which fingers tumble and smooth across the grilles of a wooden gate, inviting a plethora of textures to be surprised by.

but how to describe the scars. the discovery of love, desire, sex, intimacy, care, work, and violence – that these are things that render loneliness. that you don’t need to want everything in the world to want so much. a good kiss, a warm hug, a hand that makes one feels at home… all of a sudden one is thrust into a world and time in history where these things are scarce. they are given with strings attached, written on an accounting score. they are purchase. when people who want to love are also people who have been violated, who have been damaged in the name of exchange or towards a deity that revels in exploitation, the capacity to hurt another is a specter that lingers and creeps, always raring to make a gotcha, an unwelcome entrance. you can be blamed for wanting too much. you can be made a fool for giving so much love. each time you look back, hurt encompasses as the fog of a warzone, difficult to see past. once again you’re alone. you started with being enchanted by dust through sunlight in a gap, and now you have found yourself alone, starved of magic, missing skin and saliva and taste and receding warmth. you have missed the things that matter in this world. you are belated. you are too late. you miss the steps. you miss the boat. you miss this. you miss them. you are late. you are still too late.

what can you tell the child in front of you? what happened to you?

28/10/2024

The divine has placed us / In a small world

– Bilal, “Reminisce” (2001)

oh, but of course i have thought of you. seen you in past, present, and future. in our befores and afters. seen you sideways in time and seen your side view. i remember your sideview often. those occasions where the universe lets me skip past the temporal-spatial quandries of the present, i saw your sideview before i would have seen it later.

C has said how, in many contingencies with anyone else i have ever known, i knew you in past lives. of course it was not our first time. although compared to others, our relations were newer. which is to say, less baggage, and some very faint inklings of back then.

when i know you sideways, i know what could have been. knowing how we would have spent more time where we were younger. me, still shy, but attempting to be direct. what your next tattoo would have been, i would never have expected still. i make certain decisions to be more courageous, to deal with certain demons from my past, all so that they will never get to hurt you. all this sideways knowledge.

somewhere in the deep past is still something about you i have yet to remember. maybe it is something plain and whimsical. i like the sound of the word whimsical. i think about how it would sound like when you play it with your tongue. perhaps the tinkling that comes with your own enunciation is what i will eventually recall. that timbre that soothes me so deep. it has a forest feeling to it. and the forests and jungles are sites of low intensity warfare across communities, peoples, and tribes — arborescence and fauna and slime alike. i hear your timbre ringing through the forest, reaching into time like a swift blade, heavy like claymore. medieval longings in misty proportions, dark as the emergent bog.

later i will see you. in many laters i continue to see you. in many laters the happiness i have wished for you, each incantation varying from tic to guttural stops to syntactical choice to what vocabulary to invoke, manifests sideways across the continuum of the real. each time you receive bountiful harvests, i delight upon my work, all my assistance, and sit back in relief. whatever they call it — possible worlds, universes, timelines — to see how in so many of them, you are cared for and given space, in each contingency in each chance in each phase transition… it leaves my heart molten, unguent, aglow.

now, i show you my red lips. sideways i show them to you too. if you recall anything about me, shall it be this across lives and deaths.

10/11/2023

Time has stopped again.

I have been tracking the way time flows. It has not moved a lot, or even a bit on some days. When it does it goes in a recursion. I am tired of going backwards. From backwards I return to stasis. Dread accompanies those loops. Dreams intensify those loops. It’s like being infected by a temporal sickness. Whenever time stops still at 0s/s it feels the closest to death itself. In death time stops for a single person – in a localized field of stasis. While outside the field time goes on in other ways.

There are so many things I would like to say. Sometimes I whisper them in my dreams. Dreams become a very unreliable sandbox. Outside of dreamtime I wonder if it is worth it to say anything at all. I play scenarios in my head, both in sobriety and dreams. I try not to replay actual past scenarios. For when I do, I would begin to edit things: add a what-if here, and a could-have there. Time would loop backwards again like a song on replay but backwards. Ocean Vuong’s Time Is A Mother has a poem that does that. Rewind and stop, rewind and stop. It is one thing to rewind, but another to stop. So much of memory are frozen moments drained of life and time. To capture, to freeze joy or pain like that, as if it were a precious crystal barely unchanging, is cruel. It does no justice to the complexity of recollection to remember like this. To resume time forwards or backwards even worse so. It is like reanimating literal skeletons in one’s closet. It is necromancy. It is trying to reimbue life to something that just wants to rest. Skeletons just want to be dead and buried.

The obvious solution is to let go. Let go of time. Let go of memory. Let it reflow. Not something that I have mastery of. Something that takes time to learn. Time has stopped.