03/11/2024

looking down, what do i tell the child in front of me?

the child that looks at me, fears my height, sees the gulf in time that separates us?

that i am just like you, in every way. in being enchanted by dust specks whirling in a small storm, illuminated by the morning rays through a gap in space. or the spectral quality of glittering dew drops in the emerging sun, after a bout of long rain. or the manner in which fingers tumble and smooth across the grilles of a wooden gate, inviting a plethora of textures to be surprised by.

but how to describe the scars. the discovery of love, desire, sex, intimacy, care, work, and violence – that these are things that render loneliness. that you don’t need to want everything in the world to want so much. a good kiss, a warm hug, a hand that makes one feels at home… all of a sudden one is thrust into a world and time in history where these things are scarce. they are given with strings attached, written on an accounting score. they are purchase. when people who want to love are also people who have been violated, who have been damaged in the name of exchange or towards a deity that revels in exploitation, the capacity to hurt another is a specter that lingers and creeps, always raring to make a gotcha, an unwelcome entrance. you can be blamed for wanting too much. you can be made a fool for giving so much love. each time you look back, hurt encompasses as the fog of a warzone, difficult to see past. once again you’re alone. you started with being enchanted by dust through sunlight in a gap, and now you have found yourself alone, starved of magic, missing skin and saliva and taste and receding warmth. you have missed the things that matter in this world. you are belated. you are too late. you miss the steps. you miss the boat. you miss this. you miss them. you are late. you are still too late.

what can you tell the child in front of you? what happened to you?

10/08/2024

Take me past the edge / I want to see the other side

– Sleep Token, “The Summoning” (2023)

Pisces is the sign of the cosmic ocean. Literal spacetime is largely transparent as Physics informs us. This is why spacetime is inky-dark, as opposed to cloudy-white. Pisces is a diffuse, dark sea with streams of light in every direction. Pisces is the encompassing of every star being its own dust, sparkling into the black glass that is spacetime. Scorpio is the sign of the deep depths. We are reminded of the abyssal or benthic zones. In these waters no light enters at all, and creatures that are adapted to pitch-black darkness lurk. Scorpio is dark, mysterious, and opaque in that light cannot enter its depths. Scorpio is about the layered conditions of crushing pressures, the evasion of senses and knowledge. When you place both signs together by the statistical chaos of astrological birth charts, what a person that results.

We have both the transparent and the opaque, the deep and the diffuse. The possibility of so much light flowing outwards to illuminate the vast pockets of interstellar and intergalactic spaces, and the raging conditions of depths so dark that they are impervious to the gatekeepers of knowing — proof, evidence, examination. To fill such wide spaces, like primordial hydrogen and helium expanding outwards, from the birth of this universe to the present. Physics remind us that the universe is characterized by massive voids. Across voids, the flows of billions of galaxies in web-like structures known as filaments. Pisces is the oldest astrological sign — so old, you can almost see how watery and material time can be, observed as the evolution of cosmic sprawl. So old, Pisces harbors so much potential for renewal, to be young and dizzying and fazed with childlike wonder. Across the sprawl, pockets of intensity lurk where people least expect, containing nothing. Or, nothing but matter. Nothing but hypotheticals and placeholders for contexts difficult to express or describe — dark matter, dark energy. The realm of scorpions that can only felt, barely deciphered by mathematics. For all their darkness, they are indeed there.

This cosmic ocean coupled with opaque layers of darkness, all turbulent and collected within a person. Oh, drown me in all the darkness, all the wanting, all that I can barely know but feel!

An Empty Barstool is Love

(after Pooja Nansi)

Dreaming on a Barstool: on an infinity 
of regression of dreaming barstools; we
in a dream bar / you crafting cocktails for;
/meinatelegramcommand; @yourusername;
we watching Europe go by as art noveau;
two blue ticks consent to a means to an end;
4.00 / morning / bak chor mee / eyelids/lips;
poem for you soaked in vodka & tomorrow;
you opening whiskey an observer effect;
sizes A4 on the rocks, A3 shaken, A2 stirred;
one night, we went to a bar to drink water;
one day, we discovered alcohol to be water;
I woke up in a universe without dreams;
we watched the bartender set twin suns;
being-in-itself & being-for-itself, for myself. 

REPERCUSSIONS TO THE SUNK COST FALLACY OF BEING IN AWE

Dreaming of the depths I knew
my name: a left radical sharing
what’s inside the Chinese rain.
Much deeper, was the universe
in a stroke. Haemorrhaging left
galaxies. Blake’s Tyger left alone.
Like Medusa, sculpted in their prime
and indivisible. The Artist measures
them in the thunderstorm, struck alive
via negativa into a vignette. At Marina
I shot the horizon a glance. It drank a
cordial distance, swallowing the deep
again, killing a star. We let that sink
for millennia, carving marble into shatters.