03/11/2024

looking down, what do i tell the child in front of me?

the child that looks at me, fears my height, sees the gulf in time that separates us?

that i am just like you, in every way. in being enchanted by dust specks whirling in a small storm, illuminated by the morning rays through a gap in space. or the spectral quality of glittering dew drops in the emerging sun, after a bout of long rain. or the manner in which fingers tumble and smooth across the grilles of a wooden gate, inviting a plethora of textures to be surprised by.

but how to describe the scars. the discovery of love, desire, sex, intimacy, care, work, and violence – that these are things that render loneliness. that you don’t need to want everything in the world to want so much. a good kiss, a warm hug, a hand that makes one feels at home… all of a sudden one is thrust into a world and time in history where these things are scarce. they are given with strings attached, written on an accounting score. they are purchase. when people who want to love are also people who have been violated, who have been damaged in the name of exchange or towards a deity that revels in exploitation, the capacity to hurt another is a specter that lingers and creeps, always raring to make a gotcha, an unwelcome entrance. you can be blamed for wanting too much. you can be made a fool for giving so much love. each time you look back, hurt encompasses as the fog of a warzone, difficult to see past. once again you’re alone. you started with being enchanted by dust through sunlight in a gap, and now you have found yourself alone, starved of magic, missing skin and saliva and taste and receding warmth. you have missed the things that matter in this world. you are belated. you are too late. you miss the steps. you miss the boat. you miss this. you miss them. you are late. you are still too late.

what can you tell the child in front of you? what happened to you?

Lack of Dawn

How we used to breathe starlight,
because I imagined there were no
clouds overhead: each cloud was
every exhalation of how this night
fails to end, how I keep dreaming
of a comet that would not fall
for me. Each dream counts the
number of breakfasts I’ve missed
and the number of swords I eat
during dinner; I counted ten
to completion, to end all wounds.
See: all I did was to feed myself
waiting for the sun to rise on set.

An Empty Barstool is Love

(after Pooja Nansi)

Dreaming on a Barstool: on an infinity 
of regression of dreaming barstools; we
in a dream bar / you crafting cocktails for;
/meinatelegramcommand; @yourusername;
we watching Europe go by as art noveau;
two blue ticks consent to a means to an end;
4.00 / morning / bak chor mee / eyelids/lips;
poem for you soaked in vodka & tomorrow;
you opening whiskey an observer effect;
sizes A4 on the rocks, A3 shaken, A2 stirred;
one night, we went to a bar to drink water;
one day, we discovered alcohol to be water;
I woke up in a universe without dreams;
we watched the bartender set twin suns;
being-in-itself & being-for-itself, for myself. 

Waking

As I dragged a sunbeam you stopped
smiling at me. Made my own morning
like a nostalgic breakfast. Found the sun
in these eggs, scrambled and dispersed.
This stanza is diagnosed with Jaundice
and not the above conditions. I escaped
from dreams, coming to terms with yellow
eyes; Things uglier than the summer heat
frothing inside me. Brushed away yellowed
teeth instead of your rays that pierced me.
I watched you, having the autonomy of a star.

Writer’s Trap

I found a poem so clichéd it was painful.
Proceeded to use a bandage. Left it where
I dropped it. Clichéd is now a pun for hurt.
It is eye-catching like how Fool’s Gold is an
idiom. By association it is a mousetrap topped
with a slice of cheese. The cheese has holes in it.
I am not actually a mouse. I like metaphors to the
extent of breaking my fingers for them. Wrapped them
in this piece, applied pressure to stop the bleeding.
Found clichés abound under the sun even though
it is nighttime now. No outer space references here.
Just filler in inner spaces without the negativity.

Homework

It is July and it is still yellow
outside. Still afternoon ebbing.
Still a bloody Singaporean tide,
an ocean of red, threads of bagua
in paper notes. Sanctioned fortune.
Sunbeams parking in window stills.
No season parking without seasons.
Money on table, in third quarter.
A sonnet in the works, on funding.
Profit-driven airs recycled by air-cons.
People seeing red before February’s.
Sometimes an orange sunset means
to go. The ERP in the room is still.
Still at home with the green lights.